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  • papopera: thank you. looking forward to six o'clock
  • Will: I think the reasoning here is that these productions of what...
  • Nerva Nelli: Apparently Billingsgate has Ingrid Steger and Carol Yahr sta...
  • grimoaldo: Good lord. I find that somewhat sad. Why are they having ope...
  • oedipe: Well, I have -at last- seen the infamous Paris Opera Mano...
  • Donna Anna: Anna Russell, thou shouldst be living at this hour but since...
  • Batty Masetto: Oh. I thought Croche was calling dibs on Agathon in a comple...
  • Will: Casting note: Glimmerglass has announced that opposite Dwayn...
  • Straussmonster: I want to be Alcibiades, especially if I can come in late, a...
  • Superconductor: Considering that the Metropolitan Opera press office is noto...

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sally in our allies

Two weeks later, and the drollery just keeps a-drippin’ in the competition to provide some explanation for a rather curious opera scene depicting a lady apparently trying to drown a chambermaid in a hotel bathtub.  The snappiest comeback, in La Cieca’s opinion, issued from wotan_in_inman, “We’ll disguise ourselves to fool both the Count and Figaro. I’ll put on your clothes and you put on this bathtub.”

Well, okay, the actual opera in question is Aida, as produced at the Staatstheater Nürnberg by Jens-Daniel Herzog.

Now that’s cleared up, let’s get back to the serious business of guess-the-regie.  Read more »

so you think you can dance

La Cieca proudly presents the latest Unnatural Act of Opera, a 1974 concert performance of Salome.

Salome

Narraboth: George Shirley; Jokanaan: Norman Bailey; Salome: Birgit Nilsson; Herodes: Ragnar Ulfung; Herodias: Ruth Hesse; Page: Sandra Walker. Carnegie Hall, New York. December 18, 1974. The Chicago Symphony Orchestra, Sir Georg Solti.

radvanovsky vincitor?

La Cieca hears that Sondra Radvanovsky is not, in fact, making her Met farewell this year, but will return to the company in future seasons. Your doyenne is not sure what lesson to take away from this experience: either that whining to the media prematurely makes you look like a fool later on, or else “the squeaky wheel gets the grease.”

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the o word

UPDATE:  “Joining City Opera will be Director of Artistic Planning Edward Yim, perhaps best known for playing an integral role in the exciting and highly successful multidisciplinary programming at the Los Angeles Philharmonic, and Casting Advisor Steven Blier, an eminent pianist and vocal coach who is equally at home in the traditional operatic repertoire and American popular song. Conductor George Manahan, Music Director of City Opera since 1996, will continue in a role to which he has brought distinction. Also continuing with the team will be the outstanding accompanist and recitalist Kevin Murphy, a veteran of The Metropolitan Opera and [...]

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placido on the down low

“In Adriana Lecouvreur, Domingo manages to portray plausibly a character young enough to be his grandson. He is the dashing Count Maurizio, who is entangled in a romantic triangle with the celebrated actress Adriana and a scheming princess. The count’s excuse for two-timing Adriana is perhaps the most original in the history of cheating. He’s planning an invasion of Lithuania, you see, and he’s financing the coup with a play-for-pay arrangement with the princess.” Our Own JJ reviews the Met’s revival of Adriana Lecouvreur in Gay City News.

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slight decrease in fucking detected

Florida Grand Opera announced today that Music Director Stewart Robertson has decided to relinquish his position at the conclusion of the current season in May 2009. It should be noted Robertson has not completely pried his mouth off the American teat, as he will continue as Music Director and Principal Conductor of the Florida based Atlantic Classical Orchestra. He has even expressed some vague and surely quixotic notions about trying to get work in his native Scotland.

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tenor to pay off student loans

Placido Domingo has been named the winner of the first $1 million Birgit Nilsson Prize for achievements in classical music. [via AP]

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“her bosom heaves, her cheeks are staring scarlet”

Sharp-eyed reader Sadie Salome writes: It seems I was the only one spent much of last night’s letter scene peering through her binoculars at Karita Mattila‘s fine acting, because I see no report on your site of last night’s mishap (and if it isn’t on your site, then it obviously hasn’t been reported anywhere!) As you can see in the photograph below, the nightgown which Tatiana wears for her letter scene has a couple buttons in the middle that hold the front together, though it’s still split a little bit even when fastened. 

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