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  • OpinionatedNeophyte: As well as the *best* Lawrence Brownlee material, including an absolutely sublime rendition... 10:25 PM
  • CruzSF: Coming after a mostly dreary season by the country’s “flagship 221; company, I’d... 10:25 PM
  • ianw2: Three clips! Testament to her skill that if anyone else tried to go from Isolde to Eliza, it would be far... 10:18 PM
  • grimoaldo: “coloraturaf an2 has been terminated because we received multiple third-party claims of... 10:15 PM
  • grimoaldo: Oh yes indeedy cruz I loved every millisecond of the whole thing, Boross rocked, the whole cast was... 10:11 PM
  • CruzSF: Did you enjoy it, grim? That’s all that matters. At least you did more than stay at home and bitch... 10:04 PM
  • Porgy Amor: The rave review for Carsen’s ROH FALSTAFF at Opera Britannia really makes me want to see it... 10:03 PM
  • OpinionatedNeophyte: Most wonderful parterre hive-mind, can connections be made with the adorably scrumptious... 10:01 PM

Envelope, please…

La Cieca has just learned that the winner of the 2006 Richard Tucker Award is tenor Lawrence Brownlee. Career Grants will go to Kate Aldrich (mezzo-soprano), Jordan Bisch (bass), Quinn Kelsey (baritone), Dimitri Pittas (tenor) and Gerald Thompson (countertenor). Sarah Tucker Study Grant winners include Stephen Costello, Ann McMahon Quintero and Trever Scheunemann.

26 comments

  • papagenodz says:

    dolora zajick can let one loose when provoked, which unfortunately isn’t often enough.

  • Kashania says:

    Gerald Thompson is an exciting countertenor. Not the most beautiful voice (not ugly either) but some of the fastest coloratura I’ve heard from a countertenor.

  • SF Opera Lover says:

    I have seen Gerald Thompson in several performances with San Francisco Opera and have loved him in all of them. His Unulfo in Rodelinda is especially memorable. Here is the review of his performance from Opera News. “But there was another fine proponent of the voice type in the cast: Gerald Thompson, whose singing of Unulfo was clear, penetrating and always lovely.”

  • baryton francais says:

    Not many can compare to Sutherland in her beautiful coloratura and trills… She was never aspirate, nor throaty. Even when older, her coloratura remained quite amazing.

  • CALLASORPHAN says:

    Yes Joannie could trill herself silly–she said that she learned how to trill by listening to the birds! all I know is that she really could do it.

  • Damien says:

    Well he’s about 2 feet tall. What I’d give for a big, tall, dark and handsome tenor. I hope he’s at least hung.

    Ok, did anyone else hear the competition? It was horrible. I swear they pull singers from the crapper and look nowhere else. I never heard so much screaming in my life. Absolutely shameful.

  • JATM2063 says:

    HUNG? HAH! Have you looked at his picture? He’s a bottom.

  • papagenodz says:

    sutherland’s best trill, in my opinion: as antonia dies in les contes d’hoffmann.

  • opera80221 says:

    All I can say is that I’d hit notes that could bring the HOUSE down if I had Damien’s anatomy in front of me……I’d be singing trills and high e’s all NIGHT!..Thanks for the eye candy!

  • CALLASORPHAN says:

    That entire recording of Hoffman with Joannie and Placido is just wonderful. Joan truly sings her lungs out. I just love the trio with Antonia!!!