Dan Sharp-Ears
I had every reason to think I’d love the New York Phil’s production of The Cunning Little Vixen as much as I did their staging of Le Grand Macabre with the same creative team.
19 pieces since 2010 — at 2 companies, most often at New York Philharmonic.
I had every reason to think I’d love the New York Phil’s production of The Cunning Little Vixen as much as I did their staging of Le Grand Macabre with the same creative team.
Though I’ve sometimes complained that the Paris Opera, while supposedly short of cash, changes its productions nearly as often as the rest of us change our socks, André Engel’s Cunning Little Vixen first appeared there 17 years ago. At the time it was billed as ‘new’, though it actually dates back further still, to 2000 at the Lyon Opera. I saw it when it arrived at the Bastille and wrote it up at the time.
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