An instrument of your peace An instrument of your peace

Philippe Sly is sublime as Messiaen’s Saint François D’Assise in Salzburg, though Romeo Castellucci‘s production could brush up on its catechism.

Sister, sister, oh so fair Sister, sister, oh so fair

Conductor Eun Sun Kim and soprano Elza van der Heever play to their strengths in a piercing revival of Elektra at San Francisco Opera.

The Grand Salzburg Hotel The Grand Salzburg Hotel

A.J. Goldmann on the Salzburg Festival’s revolving doors, both in its administration and in its delectable production of Il viaggio a Reims.

Jaundiced view Jaundiced view

Richard Lynn bravely asks what we’re hoping to get out of the continued Peter Gelb-bashing — and whether our expectations of him have ever been fair

The Met should revive Saint-François d’Assise The Met should revive Saint-François d’Assise

The Met was built for Saint-François d’Assise. It is a huge work, and it needs a huge space. And Ingo Metzmacher.

The age of <em>Innocence</em> The age of <em>Innocence</em>

The score for Innocence was menacing yet comforting, and, essentially, violent and peaceful at the same time

Distinctive and unreservedly commendable Distinctive and unreservedly commendable

My sole live encounter with Seiji Ozawa coincided with his final appearances at the Metropolitan Opera, where he conducted its 2008 revival of Tchaikovsky’s Pikovaya Dama.

‘Don’ or dinner party ‘Don’ or dinner party

A revival of Peter Konwitschny’s rightly legendary Don Carlos and Dmitri Tcherniakov’s confounding new Salome: both turned out to be unforgettable!

The unusual suspects The unusual suspects

Mad Scenes and Exit Arias:  The Death of the New York City Opera and the Future of Opera in America provides ample fodder for the legions of amateur opera sleuths seeking to confirm their theory of “Who Killed City Opera?”

La lune est encore sur la mer La lune est encore sur la mer

There was a general feeling of homecoming in the hall on Friday evening in anticipation of what promised to be a special return visit on many levels.

Theatrical Ligeti, Dramatically Realized (TL;DR)

Look, this is a very special piece of music for me. You were twenty once, right? You were self-righteous. You had your musical heroes, and your mind was being remolded every fifteen minutes or so by a rapid succession of new experiences that challenged your notions of what music could do. 

Dark year for NYCO?

UPDATE: La Cieca has just heard that the “dark season” is not a done deal just yet. The NYCO board meets next week to make that decision. (Given how late in the game this is, most likely the “decision” will be no more than a formality. But La Cieca will keep her ear to the…