A matinée, a Pinto play A matinée, a Pinto play

Perhaps a piece of Mahler’s? For Wagner Month, Chris’s Cache offers the unexpected collaboration Die drei Pintos, started by Wagner-predecessor Carl Maria von Weber and completed by one of Wagner’s followers, Gustav Mahler

The color of Monet The color of Monet

When I saw that Richard Bonynge AC CBE, conductor and musicologist supreme, had authored a book titled Chalet Monet about the home he shared with his wife, La Dame Joan Sutherland OM AC DBE, in Les Avants, Switzerland I practically had to wipe my chin.

French twist French twist

The Met’s new Don Carlos has prompted a lot of discussion lately about opera-in-translation, so Trove Thursday this week offers two works unexpectedly performed in French: Rimsky-Korsakov’s Snegourotchka and Weber’s Euryanthe.

Out of the shadows Out of the shadows

“Trove Thursday” offers Die Frau ohne Schatten conducted by Georg Solti and also featuring Regina Resnik, Donald McIntyre and the inevitable James King.

The queen’s throat The queen’s throat

“Trove Thursday ” presents Heinrich Marschner’s Hans Heiling in a 2001 performance from Berlin featuring Alessandra Marc as the title character’s mom, the Queen of the Elves. 

Tomb service Tomb service

An outstanding performance of Weber’s Euryanthe to share on “Trove Thursday.”

Tomb raider Tomb raider

Despite the continued popularity of Der Freischütz in German-speaking countries, are the magical mature operas of Carl Maria von Weber otherwise really so problematic, their libretti so unwieldy to explain their continued absence from the world’s stages?

Hi, honey, I’m gnome Hi, honey, I’m gnome

Between Fidelio and Der Freischutz there was “Romantische Oper,” a type of musical drama descended from medieval mystery plays in which ghosts, gnomes and other “invisibles” get entangled in the lives of unsuspecting people.

One from the vault One from the vault

There has never been a successful vampire musical—so they say. But that’s just not true.

Batter my disc

I have heard Gerald Finley live and enjoyed his singing immensely. He possesses a strong, resonant, lyric baritone, even of scale and beautiful of timbre. His biggest successes to date have been creating the roles of Oppenheimer in John Adams‘ Dr. Atomic and Harry in Mark-Anthony Turnage‘s The Silver Tassie. He includes selections from both…