Third bass-baritone Third bass-baritone

Next Marko Mimica discussed which music “reached” him most and how he regards expressing himself in various languages.

Bass-baritone instinct Bass-baritone instinct

Next, I asked Marko Mimica which basses he prefers to listen to on recordings.

All about that bass-baritone All about that bass-baritone

In Bellini’s opera Norma, the “padre” role of Oroveso, it may be safely said, is “undistinguished”—dull and conventional. The bass entrusted with the role usually will engender two reactions: more frequently than not, “Cut this boring music,” and rather more rarely: “What a pity Oroveso doesn’t have more music.”