La Cieca thinks any revival of Adriana Lecouvreur is reason for rejoicing, though this photo made her stop and wonder: since when does Hillary Clinton sing verismo? Oh, all right, it’s La Cieca’s little joke. Our Secretary of State has not sung any opera role, recently anyhow. The Hillary lookalike is none other than Nelly…
By La Cieca
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Longtime friend of the ‘box Little Stevie returns to Adriana Lecouvreur: I have always believed that as with La Gioconda, a great performance of Adriana Lecouvreur needs to serve up “the four greatest singers in the world”, and the Met seems to come close to doing just that. I have attended all of the performances…
By La Cieca
“Anthony Tommasini, the chief classical music critic of The New York Times, is answering questions from readers Feb. 9-13, 2009. Questions may be e-mailed to [email protected].” [NYT]
By La Cieca
The operatives were busy over the midnight hours: “Act 3 was a mixed bag. The opening showed Villazon in much better form, with solid phrasing. The Mad Scene started out beautiful, Netrebko spinning out haunting legato. She was completely involved and engaged. Then she fell apart at the flute solo, sounding under supported and wavering…
By La Cieca
All the way from exotic Portland, Operaman writes: Yesterday I attended the Met HD transmission of Orfeo ed Euridice and, once I have told you my reactions and feelings about this show, I cannot wait to hear what members of your cher public who saw or heard it have to say about it. And I…
By La Cieca
Counter Critic reports today that he met George Steel last night and planted his seed.
By La Cieca
La Cieca wants to give a quick “shout-out” (as the youngsters say, they tell me) to “critic, novelist and record-store clerk” Daniel Stephen Johnson, who on top of all that is not only one of our newest and nicest commenters, but a smart and sassy blogger in his own right. He writes somewhat in the…
By La Cieca
Yesterday “nonplused” Counter Critic Ryan Tracy unveiled his detailed plan for his directorship of the New York City Opera. Even if his manifesto is meant less than completely seriously, there are some provocative ideas there. But surely the cher public will have their own opinions.
By La Cieca
He’s interested. He’s not interested. And yet, he’s still in the running. According to former NYCO honcho Mark Weinstein, “…the embattled company will appoint George Steel, the former director of Columbia University’s Miller Theater, to the [director] position in early January.” Need I add that Susan Baker hasn’t answered the phone in days? Now, La Cieca loves…
By La Cieca
Tim Ashley in the Guardian Unlimited writes: When Hansel and Gretel are out of the house, their parents (Thomas Allen and Elizabeth Connell) prepare to have sex on one of the children’s beds, and we recognise the potential for deeply inappropriate behaviour lurking behind this family’s facade. And speaking of deeply inappropriate behaviour, is Anja…
By La Cieca
Counter Critic eschews false modesty long enough to offer a proposal for the New York City Opera.
By La Cieca
Some disturbing speculations from a reader in Vienna: Just in case you are one of those opera lovers who believe that Deborah Voigt has one of the greatest voices ever, don’t read any further and press “delete”. I just heard her Salome at the Vienna Staatsoper. It was a disaster. The audience booed her ferociously,…
By La Cieca
La Cieca has just about given up on the New York Times so far as accuracy goes, but it still rankles when a thoroughly disproven urban legend is casually quoted as factual truth. In a review of a novel called Winnie and Wolf, critic Patrick McGrath repeats the canard that Winifred Wagner supplied the paper…
By La Cieca
In an interview in the Washington Post, Anne Midgette and Ruth Ann Swenson say the word “box” so often it starts to sound dirty.
By La Cieca
Just in time for Halloween, an all-new profile by Anne Midgette, “The Undead Diva: Renée Fleming Has Virtuosity Under Control.”
By La Cieca
Next week at The Morgan Library and Museum, New York City Opera General Manager-Designate Gerard Mortier will discuss his vision of opera. The lecture, entitled “The Excitement of 20th-Century Opera,” will focus on classic works composed by Claude Debussy, Leos Janácek, Olivier Messiaen, Karol Szymanowski, Mieczyslaw Weinberg, and others. Tickets for the program, scheduled for…
By La Cieca
Who says media overexposure isn’t good for the career? Note, for example, how the heavily hyped bass-baritone Erwin Schrott has now made the transition into a dual career as lyric baritone and spinto soprano. And that poor schlub who used to update the blog for Martha Stewart now writes captions for the New York Times!
By La Cieca
Sharpen those nails and slather on a fresh coat of “Jungle Red,” ladies, because La Cieca hears that “it’s on” between two of the biggest players in NYC’s opera criticism power gay elite. (Well, admittedly that’s not a large pool of talent, but what they lack in numbers they more than make up for in…
By La Cieca
La Cieca hears that critic/cat lover Alex Ross is one of this year’s recipients of the MacArthur “genius” grant, to be announced later today.
By La Cieca
La Cieca is looking for a member of the cher public who is already planning to attend the opening night gala at the Met and is willing to write about it for parterre.com. Your doyenne will need 400 – 600 words by 11 AM on Tuesday, September 23 for publication that day with your byline.…
By La Cieca
La Cieca’s old, old, old (and yet somehow ageless) friend Anne Midgette isn’t just sitting around for The Season to begin like us lazy bloggers. She’s been listening to new recordings of operas by living composers including Michael Nyman, Scott Wheeler and Douglas J. Cuomo. Mr. Cuomo is best known (as they say) as the…
By La Cieca
La Cieca’s dear colleage The Counter Critic is writing a piece for a New York paper about the Met’s HD program. He is looking for “people to interview who have seen the simulcasts, and who have strong opinions about how folks behave during the screenings.” Here’s your chance for your voice to be heard loud…
By La Cieca
