A joint Beethoven–Adams program conducted by Dima Slobodeniouk suggests a way forward for the embattled Boston Symphony Orchestra.
Peter Sellars‘s triple bill of Viennese modernism featuring Erwartung and a concert performance of The Raft of the Medusa stare down death at the Salzburg Festival
Otto Nicolai’s Il Templario with Juan Diego Flórez, Clémentine Margaine and Luca Salsi.
Due to a small hiccup in scheduling at Casa della Cieca, this week you get two uploads!
Among the highlights were concert performances of Jules Massenet’s Thaïs and Otto Nicolai’s Il templario.
I am happy to finally add Les contes d’Hoffmann to the playlist in a Salzburg performance from 2003 with Neil Shicoff in one of his parade roles.
God, I love that photo of Lisa della Casa. She can sing, too!
Pierre Boulez continuously challenged me and totally changed the way I listen to music.
It’s time for the annual celebration of the birth of Leonie Rysanek (who, as you know, is your alte Jungfer’s Diva of Divas).
The Salzburg Festival has long had the image of this place where for a little over a month, the very best singers are brought together with the very best conductors and the very best directors to create the very best productions the opera world has to offer.
As we look forward to New Year’s Eve and to the gala opening of Willy Decker’s La Traviata at the Met, it seems fitting to look back—by way of the official, live, DVD recording of the production’s sensational world premiere at the Salzburg Festival in 2005—to get some sense of what’s behind all the hype.…
A dramatic symphony with incidental voices: that’s how Riccardo Muti’s Otello, which inaugurated the 2008 Salzburg Festival, could be aptly described. Beginning with the initial allegro agitato with its piercing lashes, it instantly appears obvious that Muti’s intention is to go for the jugular, nail the audience to their seats and never give them a…
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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