Voce di donna o diavolo Voce di donna o diavolo

Larry Wolff continues his musings on Verdi’s varied career, this time over Giovanna d’Arco at the Teatro Regio in Parma

It’s going to be a lovely party It’s going to be a lovely party

Overall, this was a superb achievement and a thrilling season opener for the San Francisco Opera.

Thoughts on <em>La Gioconda</em>: Tebaldi Thoughts on <em>La Gioconda</em>: Tebaldi

Renata Tebaldi had one major advantage over Milanov and Callas (and most other sopranos): she was Italian.

Thoughts on <em>La Forza del destino</em>: recordings Thoughts on <em>La Forza del destino</em>: recordings

As said at the beginning, I implied I’d rather see Don Carlo(s) and listen to Forza.

A seacoast of Bohemia A seacoast of Bohemia

The people—I assume most of them were natives—seemed pretty happy at La Boheme at the San Carlo on Saturday night. For one thing, the theater was packed to the top tier, all of us masked (vigili di fuoco—firemen—made sure of that)

Gold rush Gold rush

Now we find Mariella Devia, a diva held in near mythic regard due to her vocal longevity, with competing videos of two of her performances that were released, literally, on the same day.

Next to Norma Next to Norma

Anita Cerquetti had one of the most remarkable, most brief careers in opera in the past century.

The upper depths The upper depths

The Teatro di San Carlo in Naples is a pearl itself and this presentation proffers some of the best that company has to offer.

Alpha and omega Alpha and omega

On Wednesday, the still-active, still radiant Virginia Zeani turns 90.

Robber soul Robber soul

C-Major continues their full frontal attack on the Verdi catalogue with this release of I Masnadieri which, I’m thrilled to report, does not hail from the Teatro di Regio in Parma like the previous aspirants. We’ve travelled south to Naples and the Teatro di San Carlo and we’re all the better for it as the…

Giusto ciel, in tal periglio…

UPDATE: Tonight’s performance of Simon Boccanegra at La Scala (featuring Placido Domingo) has been canceled because of a strike called by unions protesting the “decreto Bondi,” a measure to privatize all of Italy’s major opera houses and reduce salaries at these theaters across the board. Our Own Ercole Farnese reviewed yesterday’s news reports about this…