Bell de jour
Next week the Italian soprano Mariella Devia celebrates her 70th birthday so “Trove Thursday” salutes her with one of her earliest New York successes: Delibes’s Lakmé
9 pieces since 2009.
Next week the Italian soprano Mariella Devia celebrates her 70th birthday so “Trove Thursday” salutes her with one of her earliest New York successes: Delibes’s Lakmé
Mezzo Rinat Shaham takes a short break from being the world’s busiest Carmen and rehearsing for the theatrical concert “The Sorrows of Young Werther” to dish with your doyenne.
Even before Italian diva Mariella Devia had completed the stunning high D natural that capped her miraculous portrayal of Elisabetta in Donizetti’s Roberto Devereux Thursday evening at Carnegie Hall, tens, then hundreds of those in attendance leapt to their feet to shout their acclaim.
In any narrative, the unmentioned—the unmentionable—will always be more alarming than that which is carefully described.
Frustrated, perhaps, by the bulky requirements and dubious future of grand opera—and grand opera commissions—Benjamin Britten created some of his most intriguing and, nowadays, popular pieces for small casts and chamber orchestra.
“It was during a prolonged losing streak of the New York Yankees,” writes composer Richard Wilson, “that, musing on the subject of failure, I decided to write an opera about Aethelred the Unready.” And so he did, writing both libretto and music to a one-act opera in seven scenes.
A painter’s nightmares of death start to become real. A man’s lover dies of a flesh-eating plague and inhabits the body of a new young fling. A TV news anchor finds herself on the other side of the headlines, drowning in the Holland Tunnel. If Edgar Allan Poe were alive today, these are the operas […]
Everything I need to know about Bizet I learned at a Judy Chicago exhibit in 1996. Brutality against women is pervasive, and society is culpable by permitting it. Such grievances were aired at the expense of the composer’s chef d’oeuvre Carmen yesterday at La Scala’s Gala opening, viewed dal vivo at Symphony Space on 95th and Broadway.
Nuns, Doppelgängers, ball gags, “third arms“? Your own Squirrel is on the scene at Symphony Space offering his eyewitness account of the prima of Carmen (as seen on HD, liveish from Milan). Up-to-the-minute coverage follows the jump.
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