Benjamin Bernheim opens up to Emma Hoffman about what really makes a French tenor ahead of his New York recital debut.
Big voices overwhelm Claus Guth‘s toothless staging of Khovanshchina at the Berlin Staatsoper.
A revival of Peter Konwitschny’s rightly legendary Don Carlos and Dmitri Tcherniakov’s confounding new Salome: both turned out to be unforgettable!
Daniel Barenboim does not want to conduct Berg’s Lulu. Or so it seems.
I really haven’t paid much attention to “opera regie,” so I can’t give you a firm definition of it. A while ago, a pithy and biting piece called “How to Opera Germanly” made the internet rounds, and it serves as a handy guide for we who are un- or under-initiated. This production of Haydn’s Orlando…
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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