Santa Fe Opera

68 pieces since 2007.

68 pieces
20 years

Just salvage

Santa Fe has done a brave and laudable thing is presenting the first major revival of The Last Savage in decades, and if the libretto were, perhaps, translated into Hindu, the production values, excellence of cast, and directorial choices could conceivably work their magic of, if not pulling a rabbit out of a hat, then […]

By 30 comments

Ripped from the headlines

They’ve been celebrating the centennial of Gian-Carlo Menotti lately, spouting wild claims for the immortality of his music. He did have an impressive run of successes in the 1940s, but he lived till 2007 with many more premieres and nary another hit. 

By 41 comments

Blow’s job

Despite baby-steps over the years, America’s musical scene, especially opera, remains decidedly un-HIP. (HIP: “historically-informed performance,” also called “period performance.”)  While European opera houses turn increasingly to “original instrument” orchestras and specialist singers for seventeenth and eighteenth century works, this rarely occurs in the US. 

“consider the lowly libretto…”

Classical Beatnik Anne Midgette, obviously still reeling from the experience of The Letter in Santa Fe, addresses a problem we’ve been seeing more and more of in opera: even those who supposedly love the art form, and who are involved in putting it on, are increasingly laboring under the delusion that it is inherently over-the-top, […]

By 30 comments

E sempre Laura!

Our new correspondent Miss Laura Hope Cruisey finishes her report from Santa Fe. Everywhere we look there is Nicole Cabell – so exotic! Wow! Very interesting looking woman; and her new arias CD is the most advertised classical record around, and it is getting good reviews. She was kind of a Mrs. Obama on stage […]

By 18 comments

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