As said at the beginning, I implied I’d rather see Don Carlo(s) and listen to Forza.
Frankly I thought Sondra Radvanovsky had reached her pinnacle with her Norma but I was apparently mistaken. I’m happy to say her Turandot is completely next-level.
Erato’s irresistible Rossini collection Amici e Rivali is hands down my favorite vocal CD of 2020, featuring the inspired bravura sparrings of Lawrence Brownlee and Michael Spyres.
A conversation with maestro Gil Rose of Odyssey Opera.
Rossini’s Semiramide is a highly original and imaginative work of theater that impresses for its creative and beautifully scored orchestration, incisive recitatives and ensembles, and theatrically intriguing characters.
>Verdi’s marvelous yet neglected Luisa Miller finally returns to the Met later this month after an absence of a dozen years so “Trove Thursday” provides a preview.
In how many operas does the heroine drink poison and then go lengthily mad?
I’m a long-time fan of the Opera in English series funded by The Peter Moores Foundation that started, fittingly enough, with conductor Reginald Goodall’s performances of Wagner’s Ring cycle recorded live from the London Coliseum and released by EMI
Before there was Verdi’s Otello, Rossini’s Otello was considered the master operatic adaptation of Shakespeare’s tragedy.
Many American opera-lovers take the “Grand Tour”—a pilgrimage to Europe to attend opera at its great houses—Peter Grimes at the Royal Opera in London or Otello at La Scala in Milan, or perhaps for the more well-heeled a visit to the summer festivals of Glyndebourne, Salzburg or Aix-en-Provence.
I have to confess to a certain bias: I adore Rossini’s music. Barber was the first album I ever bought, and fittingly, the first opera I ever sang. Rossini was an astonishingly prolific composer, writing more than thirty-five operas, as well as numerous secular and sacred choral works, songs, and chamber music.
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
×
Sign up for Parterre’s free newsletter.
Exclusive opera reviews, commentary, and top reads
delivered to your email weekly…ish.