Crack of doom Crack of doom

It took about 30 minutes for me to grow restless watching the world premiere video of Gyorgi Ligeti’s Le Grand Macabre from Gran Teatre del Liceu.

Captive audience Captive audience

Die Entführung aus dem Serail has been a bit of an unruly child recently, with productions by Neuenfels and Bieito dividing audiences and inspiring critics like Heather MacDonald to lengthy manifestos.

Take the Monnaie and run Take the Monnaie and run

“Though Mr. Herheim’s work is rigorous, it is also fun, and this Rusalka is serious but the opposite of dour.”