Extravagant minimalism Extravagant minimalism

Ahead of his new production of Die Frau ohne Schatten, Barrie Kosky chats with Kevin Ng in Aix about pretty much everything — except the details of his new Frau.

The Berlin stories The Berlin stories

Madison Schindele surveys the endlessly diverse offerings of Berlin’s 2026-27 opera season.

A lady of coarse and vulgar inclinations A lady of coarse and vulgar inclinations

A stark, sweltering performance of Lady Macbeth of Mtsensk shocks the Komische Oper Berlin.

The offal truth The offal truth

“Call me traditional, but I want to see a silver platter!”

Capital punishment Capital punishment

A patchy production and musical performance can’t dull the edge of Rise and Fall of the City of Mahagonny at the Komische Oper Berlin

Nothing makes me feel better than <em>The Cunning Little Vixen</em> Nothing makes me feel better than <em>The Cunning Little Vixen</em>

The opera is life affirming, but also recognizes that life comes to an end.

There’s a parade in town There’s a parade in town

Les Brigands at the Paris Opera is an expensive joke that never lands

Psychological projections Psychological projections

“The distance between dreams and reality is called action.” – Brian Tracy

Unequal tooning Unequal tooning

There is sensory overload, and very little humanity.

Strange magic Strange magic

We’ve had a mini-fest of director Barrie Kosky’s work this year at LA Opera.

If I had a photograph of you If I had a photograph of you

I’m certain I wasn’t the only one thrilled to bits to see LA Opera’s production of La Bohème finally retired after 26 years and seven mountings.

Blue movie

For those of us newly accustomed to watching The Met: Live in HD cinecasts and similar events in our neighborhood theaters, it is easy to forget that opera as cinema was once a very different experience. Ritter Blaubart, one in a series of seven films by Walter Felsenstein recently released on DVD, shows us the…

The beast with three backs

Among the “auditions” that have come flooding in from the cher public are reviews of three very different productions of Don Giovanni. Your doyenne has taken the liberty of combining the three critiques into a single posting, but she urges you to remember, remember well the names of the authors of this troika of treatises. 

Regie done right

The joy on my face after opening the plain manila envelope that contained the ArtHaus Musik DVD of Walter Felsenstein‘s 1975-6 Die Hochzeit des Figaro is hard to describe.  I wanted to love this DVD with all my heart, as I have with the three other Nozze DVDs I own. I did, and then some.…