Robber barons
A revival of the furious I masnadieri at the Bayerische Staatsoper falls short of perfection – and there’s nothing wrong with that.
A revival of the furious I masnadieri at the Bayerische Staatsoper falls short of perfection – and there’s nothing wrong with that.
Pénélope at the Bayerische Staatsoper’s summer festival spotlights the crossroads between the nostalgic and the progressive.
Daniele Rustioni leads a verismo double bill recorded in Munich last month
Konstantin Krimmel plays the title role in a live broadcast from Munich
Contrasting approaches to Regie duke it out in Cavalleria rusticana & Pagliacci and Rusalka in Munich
The Met’s mostly successful revivals of The Queen of Spades and La bohème showcase the returns of Sonya Yoncheva and Corinne Winters
Corinne Winters sings the title role in Janácek‘s opera live from Munich.
Opera San José (OSJ) is continuing the second half of its 41st season with a company premiere of Béla Bartók’s Symbolist opera Bluebeard’s Castle (A kékszakállú herceg vára), with a libretto by his friend and poet Béla Balázs, and OSJ truly spared no effort to make the occasion a memorable one.
I was so beguiled by Erika Baikoff when I saw her perform at the Sag Harbor Song Festival back in September. Such a lovely and musical voice that just flows and when she sang this, she got mid-note applause during the final sustained B.
Can György Ligeti‘s only opera be understood as the composer’s own grappling with trauma, death, and memory of a past life?
As a burgeoning opera fan, I relied on YouTube to connect me with the art form.
“In over nine years you’ve never posted an opera by Ermanno Wolf-Ferrari,” no one has ever said.
This July, Munich played host to hordes of football fans in town for the European Championship—and arguably the two finest working sopranos today.
Today’s Chris’s Cache features live recordings of Otello most noteworthy for their Desdemonas: (in chronological order) Teresa Stratas, Julia Varady, Eva Marton and Karita Mattila.
Trove Thursday remembers Edita Gruberová with live recordings of two of the three operas I heard her perform at the Met: a 1985 Munich La Traviata with Neil Shicoff and Wolfgang Brendel conducted by Carlos Kleiber and an I Puritani from Vienna 1994 featuring two other artists who recently left us too soon: Marcello Giordani and Dmitri Hvorostovsky.
Ludwig van Beethoven’s “rescue opera” Fidelio was presented by San Francisco Opera as their first new production of the season last Thursday in reinterpreted fashion.
The crown jewel of this year’s Munich Festival is undoubtedly Richard Wagner’s Tristan und Isolde, which opened the Festival on June 29 and will close the Festival with an “Opera for All” screening on July 31.
Teresa Stratas turned 83 yesterday and Trove Thursday features one of the recent past’s most interesting yet frustrating artists in two rare broadcasts.
Today’s Trove Thursday was originally scheduled for February 27, which would have been Mirella Freni’s 85th birthday, but instead we remember today the beloved soprano who passed away this past weekend in Puccini.
Rossini’s Semiramide is a highly original and imaginative work of theater that impresses for its creative and beautifully scored orchestration, incisive recitatives and ensembles, and theatrically intriguing characters.
Teatro Real continued their 200 years’ celebration by premiering a piece that they have never done before, Francesco Cavalli’s opera La Calisto.
We humans tend to dislike uncertainty, therefore there is something comforting going to opera revivals; you know exactly what you are going to get.
Helga Dernesch is the singer whom I largely credit for rekindling my love for opera.
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