Gender? I hardly know her!
Christof Loy’s production of Pablo Luna’s gender-bending Orientalist farce Benamor proves to be irresistible.
Arnold Schoenberg Choir
3 pieces since 2016.
3
pieces
11
years
That’s how they did it
Idomeneo proved enormously moving while a much more complicated Così fan Tutte went for shallow romantic hijinks stripping that work of its darkly ambiguous disturbing view of love.
Woeful countenance
“Trove Thursday” steps in with one of René Jacobs’s favorite and rarest rediscoveries, Francesco Conti’s marvelous Don Chisciotte in Sierra Morena from 1719.