14 pieces since 2010 — in 7 roles, at 4 companies, most often at Metropolitan Opera.
Despite the continued popularity of Der Freischütz in German-speaking countries, are the magical mature operas of Carl Maria von Weber otherwise really so problematic, their libretti so unwieldy to explain their continued absence from the world’s stages?
On this day in 1977 Alban Berg‘s Lulu premiered at the Metropolitan Opera in the as-yet incomplete 2 act version.
Happy 58th birthday to actress and singer Vanessa Williams.
On this day in 1963, the musical Tovarich opened at the Broadway Theatre, starring Vivien Leigh and Jean Pierre Aumont.
On this day in 1977 Alban Berg’s Lulu premiered at the Metropolitan Opera.
On this day in 1977 Alban Berg‘s Lulu premiered at the Metropolitan Opera in the as-yet incomplete two act version.
Two of the leading postwar Czech sopranos appear together in Janacek’s Kát’a Kabanová when Trove Thursday presents Gabriela Benacková‘s gleaming heroine in her US debut relentlessly persecuted by Nadjezhda Kniplová’s implacable mother-in-law.
On this day in 1974 soprano Kiri Te Kanawa made an “emergency” Met debut as Desdemona and her broadcast debut
Today’s Chris’s Cache features live recordings of Otello most noteworthy for their Desdemonas: (in chronological order) Teresa Stratas, Julia Varady, Eva Marton and Karita Mattila.
Those readers who know my musical tastes will not be shocked to find that I have a somewhat conflicted view of Mozart’s operatic works.
A second Trove Thursday marking the recent passing of Jessye Norman focuses on the soprano’s catholic repertoire with three 20th century works: Stravinsky’s Oedipus Rex; Berg’s Altenberg Lieder; and Franck’s Les Béatitudes.
Igor Stravinsky was a bit of a musical shapeshifter in his day, especially when compared to his contemporaries in early 20th century Europe. Given, the time in which Stravinsky was living in Europe was one of the most dynamic periods in recent history, but few were able to consistently generate music of such varying style […]
“What a day, what a day for an Auto-da-fe!” and it’s also always a good day for Candide, so Chris’s Cache presents a pirate recording of a 1971 staging starring Mary Costa, Frank Porretta, and William Lewis.
