With La Scala’s plan to open on December 7 with a new Lucia di Lammermoor thwarted, Trove Thursday sets its Wayback Machine to nearly 50 years ago to present two of the 20th century’s greatest madwomen—Joan Sutherland and Beverly Sills—denounced by Plàcido Domingo and Alfredo Kraus respectively, with the former pair consoled by Kurt Moll‘s luxurious Raimundo.
Patrice Chéreau, the humanist in provocateur’s clothing, returned to Wagner in 2007 at La Scala with Daniel Barenboim and Waltraud Meier.
Enthusiasts of Janácek’s opera will want to pick up this video immediately.
The relative obscurity of Karol Szymanowski‘s Krol Roger (King Roger, 1924) can only be blamed on its being in Polish. The music is often as thrilling as anything by Janácek or Bartók, and the libretto by Jaroslow Iwaszkiewicz (heavily adapted by the composer) is as full of provocative philosophical ideas as operas by those composers…
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
Hasten thee to feed another quarter of conversation for The Talk of the Town!
Sign up for our free Newsletter.
Support Parterre Box
Donate to keep opera's liveliest publication free and independent. No paywalls, no institutional backing, no bootlicking.
Get our free newsletter
Opera's top reads delivered to your email weekly…ish.
Join over 100k readers.
The best opera magazine on the web.
Reviews, breaking news, critical essays, and brainrot commentary on opera from those demented enough to love it.
Essentials
Copyright © 2026 Parterre Box.
All rights reserved.
Registration or use of this site constitutes acceptance of our Terms & Conditions and our Privacy Policy. Do Not Sell or Share My Personal Information.
Sign up for Parterre’s free newsletter.
Exclusive opera reviews, commentary, and top reads
delivered to your email weekly…ish.