Der Meisterdirigent
Christian Thielemann is widely regarded as our time’s preeminent master of the Austro-German symphonic ensemble.
41 pieces since 2007 — in 12 roles, at 6 companies, most often at La Scala.
5 pieces as Klytämnestra — stats above show all coverage for Waltraud Meier.
View allChristian Thielemann is widely regarded as our time’s preeminent master of the Austro-German symphonic ensemble.
The haunted Mycenae of Patrice Chéreau’s enthralling production of Richard Strauss’s Elektra had seized its viewers in an unrelenting vise that never relaxed even at its quietly shattering conclusion.
“I will never sing the role again. It was frightful. We were a set of madwomen…There is nothing beyond Elektra. We have lived and reached the furthest boundaries in dramatic writing for the voice with Wagner. But Richard Strauss goes beyond him. His singing voices are lost. We have come to a full stop.”
None of my previous Elektra experiences prepared me for this stunning, overwhelming performance from the Festival d’Aix-en-Provence.
“Conduct Salome and Elektra as if they were by Mendelssohn: Fairy music.” Seriously, how often has that happened?
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