Don’t turn the light on! Don’t turn the light on!

There are a number of fine elements in this film, and a couple that are exceptional—but I can’t get over the wrongness of its look.

Red-headed woman Red-headed woman

This made-for-network version is surprisingly provocative and creative for its time. It’s not an unqualified success, but in terms of understanding the play as a whole, it’s a necessary part of the conversation.

A ‘Glass’ half empty A ‘Glass’ half empty

More than any actor I’ve seen on stage or screen, John Malkovich communicates the essential ambiguity of the character.