You must believe in spring You must believe in spring

Chris’s Cache ends March with Berlioz’s exquisite Shakespeare adaptation Béatrice et Bénédict because it’s just the best thing to listen to on a spring day.

“So much for traditional sweetness and charm” “So much for traditional sweetness and charm”

On this day in 1998 the Metropolitan Opera presented a new production of Le nozze di Figaro featuring Cecilia Bartoli as Susanna.

Eventide Eventide

David Alden’s acclaimed production of Leos Janácek’s Jenufa was mounted for its final performance of the season during the evening that I experienced my first opera at Santa Fe.

She’s a rebel, she’s a saint She’s a rebel, she’s a saint

Verdi’s Giovanna d’Arco in a rare NYC concert performance with Margaret Price, Carlo Bergonzi and Sherrill Milnes.

Composer’s intentions Composer’s intentions

A live broadcast of the prologue to Ariadne auf Naxos featuring Julia Varady, a favorite sopranos in a role she sang only rarely.

Sigh no more Sigh no more

Trove Thursday” presents Béatrice et Bénédict in a 2009 performance featuring Joyce DiDonato and Charles Workman and conducted by Sir Colin Davis.

Winter afternoon’s dream Winter afternoon’s dream

It took the better part of a decade—including two high-profile cancelations—or New York to finally hear Anna Netrebko in recital.

Desert island DVD

This is a performance I never thought I’d see. This 2003 Met performance of Ariadne auf Naxos was filmed, but got tied up in some kind of (legal?) dispute and never televised, and I had long written it off as being tucked away in a vault, doomed to be “the lost telecast.” So it is…

Gualtier tells “Tales”

So, I was asking my friends with Met Opera insider connections about the new Hoffmann production directed by Bartlett Sher. Seemingly conceived under an unlucky star, this production first lost two of its four heroines when Anna Netrebko decided not sing Olympia and Giulietta but kept Antonia and also Stella, leaving the dramaturgy somewhat lopsided.