Just because one can write an opera based on a film, does this necessarily indicate that one should?
I don’t usually attend a performance of an opera I’ve known well most of my life expecting a revelation.
Director Barrie Kosky’s Glyndebourne 2015 production of Handel’s 1739 oratorio Saul (released on Opus Arte DVD) shows imagination as well as a strong cast and design team.
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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