Mourning becomes Iphigenia
Gluck’s Iphigénie en Aulide (1774), the occasion of his Paris debut, gets far less respect than her sequel, Iphigénie en Tauride.
3 pieces since 2015 — in 3 roles.
Gluck’s Iphigénie en Aulide (1774), the occasion of his Paris debut, gets far less respect than her sequel, Iphigénie en Tauride.
Bellini blossomed over us like a love fest.
Don Carlos returns to the Opéra National de Paris and it’s an unusually happy occasion
Exclusive opera reviews, commentary, and top reads
delivered to your email weekly…ish.