Don Carlos returns to the Opéra National de Paris and it’s an unusually happy occasion
Bellini blossomed over us like a love fest.
Gluck’s Iphigénie en Aulide (1774), the occasion of his Paris debut, gets far less respect than her sequel, Iphigénie en Tauride.
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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