Ambivalent is how I feel about Cosí fan tutte.
The internecine machinations of those who ruled—or sought to rule—the Roman Empire have long provided rich material for writers and composers, and on Thursday evening operamission continued its ambitious plan to stage in chronological order all of Handel’s operas by presenting one of the most delicious of those Roman-based works, Agrippina which premiered in Venice in 1709.
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