In the seventies and eighties Dominick Argento (who turned ninety this year) was one of the most oft-performed of American opera composers.
Due to bandwidth limits “Trove Thursday” must post some more modest offerings in months with five Thursdays.
So, how excited are you to read another piece about the Mary Zimmerman Rusalka?
Let’s call this meeting to order. My name is Patrick and I’m a boxset-aholic.
Between them, Maria Guleghina, Marcello Giordani, James Morris and John Del Carlo have nearly 150 combined years of service on stage.
Giulio Cesare at the Met proved an evening that added up to much more than the sum of its uneven parts.
Since an early appearance as Schaunard in Baz Luhrmann’s Broadway La bohème, barihunk Daniel Okulitch has been steadily building a substantial career. Along with noteworthy performances as Don Giovanni in New York and Figaro in Le nozze di Figaro in Los Angeles, much of his career has been centered on contemporary work. He has leading…
They’ve been celebrating the centennial of Gian-Carlo Menotti lately, spouting wild claims for the immortality of his music. He did have an impressive run of successes in the 1940s, but he lived till 2007 with many more premieres and nary another hit.
I received a package in the mail this afternoon from La Cieca, and eagerly tore it open. I knew that this was to be my parterre review assignment… rapture! It was a CD of an opera: The Brothers composed by… George Antheil? Who the fuck is that? After researching him for a bit, I got…
Doubling down on its artistic mission, New York City Opera begins a tenuous season with a turgid Bible drama.
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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