All quirk and no play
Perhaps the quirkiest of Mahler’s nine symphonies, the Fourth fits nicely with Yannick Nézet-Séguin’s somewhat idiosyncratic style.
26 pieces since 2014 — in 11 roles, at 6 companies, most often at Metropolitan Opera.
1 piece as Philadelphia Orchestra — stats above show all coverage for Pretty Yende.
View allPerhaps the quirkiest of Mahler’s nine symphonies, the Fourth fits nicely with Yannick Nézet-Séguin’s somewhat idiosyncratic style.
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