Mama is gonna see to it Mama is gonna see to it

Florian Leopold Gassmann’s delicious romp L’Opera Seria seems the perfect New Year’s Eve choice at Chris’s Cache

Down for the Comte Down for the Comte

We close 2018 with Le Comte Ory with an enviable nearly all-Italian cast of prime-time Rossini specialists: Mariella Devia, Cecila Bartoli, Ewa Podles, William Matteuzzi, Claudio Desderi and Pietro Spagnoli.

His cup runneth over His cup runneth over

As portrayed by Vittorio Grigolo, Nemorino was a manic self-absorbed, probably bipolar, stalker whoagainst all odds and good sense—gets the poor girl.

Out of the passerine Out of the passerine

Here’s a lesser piece by a great composer, single-handedly “rescued” for our generation by Angela Gheorghiu.

Goodness had everything to do with it Goodness had everything to do with it

The Met stage was filled with considerable magic Monday night when its dizzily effervescent revival of La Cenerentola starring Joyce DiDonato and Javier Camarena stirred a bewitched audience to some of the most ecstatic ovations heard this season.

Old-fashioned wedding Old-fashioned wedding

If the Arthaus Musik release of Le nozze di Figaro from La Scala feels like a slouchy revival pulled haphazardly from the video vault, the singers are certainly not at fault. Ildebrando D’Arcangelo and Diana Damrau, starring as Figaro and Susanna, are bankable stars who live up to the hype. At the podium, Gérard Korsten…

Regie is in the eye of the beholder

I really haven’t paid much attention to “opera regie,” so I can’t give you a firm definition of it. A while ago, a pithy and biting piece called “How to Opera Germanly” made the internet rounds, and it serves as a handy guide for we who are un- or under-initiated. This production of Haydn’s Orlando…