A perfect meeting of voice with composer occurred when Arleen Auger took part in the rediscovery of early works by Mozart.
Gabriela Benacková, one of Trove Thursday’s favorite sopranos, turns 75 tomorrow, so we celebrate with two rare complete Verdi portrayals.
Trove Thursday offers Mozart’s Requiem with Lucia Popp, Christa Ludwig, Peter Schreier and Walter Berry conducted by James Levine from the 1981 Salzburg Festival.
Who will prevail in Trove Thursday’s Fidelio Drag Race finals: Gwyneth Jones/Leonard Bernstein 1970 or Julia Varady/Nikolaus Harnoncourt 1986?
In Winterreise, Peter Mattei’s persona is burly and brusque, a sarcastic introvert, full of contempt for his romantic weaknesses with squalls of anger and lyrical reflection by turns.
In this recital, the Polish bass-baritone Tomasz Konieczny and his pianist Lech Napierala present the world premiere recording of Stanislaw Baranczak‘s Podróz Zimowa (Winter’s Journey), which weds the poet’s meticulously crafted poetry to the music of Franz Schubert.
Brigitte Fassbaender‘s sound is piquant and, I’d hazard to guess, instantly recognizable to anyone familiar with her work.
“Trove Thursday” pays tribute to the great German bass Kurt Moll
Met audiences might have to wait a very long time for Die Meistersinger von Nürnberg.
To mark Mozart’s 260th birthday tomorrow, “Trove Thursday” offers his infrequently performed bucolic opera Il Re Pastore with the sublime Arleen Augér as its heroine and Edith Mathis as her shepherd-lover.
On his 86th birthday last month, the great Austrian conductor Nikolaus Harnoncourt announced his retirement.
It’s hard to think of a rare work by a great composer more tailor-made for a twenty-first century reexamination than Mozart’s Il Sogno di Scipione.
The centennial observances of Gustav Mahler’s death have not turned up a surfeit of newly discovered performances, probably because his symphonies and song cycles have long been a calling card for serious artists and record labels. Though the industry archives may be picked clean, the estates of dead musicians are at least starting to kick…
Die Zauberflöte is a perennial favorite with audiences, and modern productions have attracted top singers and production teams. Yet every production struggles with the performance text, particularly with the issues of race and sex. The dreams of the Enlightenment may be lovely, but the social mores of their dreamers have not aged gracefully. Despite a…
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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