Eat the Document, which premiered at the Prototype Festival last week, compresses a decades-long, nonlinear story into a swift 90 minutes while still finding time to pause for reflection.
It was an unexpected tone for the cold stone and moody ambiance of the catacombs—an odd juxtaposition that I’m not sure really worked.
Plink. A marble drops into a bowl. A brief yelp from glass, and a dozen, a hundred, a thousand years pass. Eventually the bowl is full of marbles, each one a tiny globe.
Despite the ongoing pandemic and the political upheaval, the Prototype Festival is back, and it is bigger and more accessible than ever before.
×
Sign up for Parterre’s free newsletter.
Exclusive opera reviews, commentary, and top reads
delivered to your email weekly…ish.