Captive audience
Die Entführung aus dem Serail has been a bit of an unruly child recently, with productions by Neuenfels and Bieito dividing audiences and inspiring critics like Heather MacDonald to lengthy manifestos.
Olga Peretyatko
14 pieces since 2011 — in 6 roles, at 1 company, most often at Metropolitan Opera.
14
pieces
6
roles
1
company
16
years
By company
Role Blonde
Role Elvira
Purity woman
That’s the exact word I’d use to describe Olga Peretyatko’s debut in I Puritani last night at the Metropolitan Opera: “calm.”
Role Gilda
It’s a Mantua’s world
Verdi’s Rigoletto returned to the Met Friday in the stilted “Las Vegas” production by Michael Mayer, with mostly competent singing from a good-looking cast.
Lounge act
After nearly three years and over 20 performances Michael Mayer’s “Las Vegas” production of Rigoletto at the Metropolitan Opera still outrages many.
Role Giulia
Rung number
Unlike Mozart, the young Gioacchino Rossini seldom let his ambitions strain relations with employers.
By Adriel
3 comments
Role Lucia
Madness on the moors!
The new cast at the Met suggested an alliterative retitling of Lucia di Lammermoor was needed—perhaps Lost Loonies in Love or its Italian equivalent?
Role Olympia, Antonia, or Giulietta
All dolled up
When my editor suggested to me a round-up of my favorite recordings of Jacques Offenbach’s Les Contes d’Hoffmann I was très, très, intrigued.