From the perspective of current identity politics, Puccini’s Turandot is a disaster of epic proportions.
The centerpiece of Janácek’s Jenufa was the performance of Karita Mattila as the murderous Kostelnicka.
“There it is! The Castel Sant’ Angelo!”
It is quite unusual to stage a new indoor production in the middle of summer in Italy when so many outdoor venues are open, but general manager of La Scala Stéphane Lissner – who will leave next year – decided to close the first half of this Verdi-Wagner year with a beloved hit of il cigno di Busseto.
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