The conclusion of our Fanciulla del West video overview in three parts looks at a trio of performances from the 2010s.
Puccini’s Girl closes out the 20th century and gallops into the 21st.
Now we have considered the three “winners” in the Tristan competition, let’s turn to the also-rans, or, to be more optimistic, the runners up.
Your alte Jungfer’s requisite Kuschelkatze (pictured) arrived on my doorstep in Mariahilf with the name of Tristan.
“I will never sing the role again. It was frightful. We were a set of madwomen…There is nothing beyond Elektra. We have lived and reached the furthest boundaries in dramatic writing for the voice with Wagner. But Richard Strauss goes beyond him. His singing voices are lost. We have come to a full stop.”
Maria Agresta‘s delicately-acted, sumptuously-sung seamstress transformed what might have been just an average Wednesday night revival into something finer.
If works like Salome and Erwartung defined modernism in the first decades of the 20th century, Die Tote Stadt and Palestrina represented the regressive avant garde.
This Hans Neuenfels staging for the Bayreuth Festival caused quite a stir at its 2010 premiere, but now, with time and distance, how radical is the production?
Janácek’s Makropulos Case has only chalked up thirteen performances in three previous runs at the Met and will have just five more this season. Try to catch at least one.
Directors love directing Wagner, or rather, they love directing their versions of Wagner. They don’t seem to like the operas very much. We all know what we’re going to see if we travel to Bayreuth or Berlin or Stuttgart for an evening: the regietheater world of concept grafted over concept grafted over concept with the…
“The American Way of Life, lightly satirized, lies at the heart of our production: it is an adventure that takes place somewhere between Wall Street and Hollywood.” Nikolaus Lehnhoff, as can be surmised from these liner notes, makes full use of stereotypically “American” imagery throughout his production of Puccini’s La fanciulla del West: Wall Street…
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
Hasten thee to feed another quarter of conversation for The Talk of the Town!
Sign up for our free Newsletter.
Support Parterre Box
Donate to keep opera's liveliest publication free and independent. No paywalls, no institutional backing, no bootlicking.
Get our free newsletter
Opera's top reads delivered to your email weekly…ish.
Join over 100k readers.
The best opera magazine on the web.
Reviews, breaking news, critical essays, and brainrot commentary on opera from those demented enough to love it.
Essentials
Copyright © 2026 Parterre Box.
All rights reserved.
Registration or use of this site constitutes acceptance of our Terms & Conditions and our Privacy Policy.
Sign up for Parterre’s free newsletter.
Exclusive opera reviews, commentary, and top reads
delivered to your email weekly…ish.