Golden ‘Girls’ season finale Golden ‘Girls’ season finale

The conclusion of our Fanciulla del West video overview in three parts looks at a trio of performances from the 2010s.

Minnie happy returns Minnie happy returns

Puccini’s Girl closes out the 20th century and gallops into the 21st.

“Something great in itself” “Something great in itself”

Now we have considered the three “winners” in the Tristan competition, let’s turn to the also-rans, or, to be more optimistic, the runners up.

One night of love One night of love

Your alte Jungfer’s requisite Kuschelkatze (pictured) arrived on my doorstep in Mariahilf with the name of Tristan.

Not only with words, but with lively gestures Not only with words, but with lively gestures

“I will never sing the role again. It was frightful. We were a set of madwomen…There is nothing beyond Elektra. We have lived and reached the furthest boundaries in dramatic writing for the voice with Wagner. But Richard Strauss goes beyond him. His singing voices are lost. We have come to a full stop.” 

Embroidered silk Embroidered silk

Maria Agresta‘s delicately-acted, sumptuously-sung seamstress transformed what might have been just an average Wednesday night revival into something finer.

Between two worlds Between two worlds

If works like Salome and Erwartung defined modernism in the first decades of the 20th century, Die Tote Stadt and Palestrina represented the regressive avant garde.

Rodent show Rodent show

This Hans Neuenfels staging for the Bayreuth Festival caused quite a stir at its 2010 premiere, but now, with time and distance, how radical is the production?

Immortal beloved Immortal beloved

Janácek’s Makropulos Case has only chalked up thirteen performances in three previous runs at the Met and will have just five more this season. Try to catch at least one.

Fresh, direct

Directors love directing Wagner, or rather, they love directing their versions of Wagner. They don’t seem to like the operas very much. We all know what we’re going to see if we travel to Bayreuth or Berlin or Stuttgart for an evening: the regietheater world of concept grafted over concept grafted over concept with the…

The boys in the back room

“The American Way of Life, lightly satirized, lies at the heart of our production: it is an adventure that takes place somewhere between Wall Street and Hollywood.” Nikolaus Lehnhoff, as can be surmised from these liner notes, makes full use of stereotypically “American” imagery throughout his production of Puccini’s La fanciulla del West:  Wall Street…