Lyre’s poker
The Underworld as corporate boardroom, Pluto a “suit,” the damned a bunch of clerks tapping away at laptops.
5 pieces since 2010 — in 5 roles, at 3 companies, most often at New York City Opera.
2 pieces as New York City Opera — stats above show all coverage for Nicholas Pallesen.
View allThe Underworld as corporate boardroom, Pluto a “suit,” the damned a bunch of clerks tapping away at laptops.
Although billed as “I Love Lucy the opera”, New York City Opera’s production of Richard Strauss’s conversation-piece Intermezzo offers far more emotional depth than the much-loved 1950s sitcom. Yet ironically, in key moments it lacks the necessary heart which Lucy had in spades.
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