There has never been a successful vampire musical—so they say. But that’s just not true.
Everyone who revives Bellini’s Beatrice di Tenda, as the Collegiate Chorale did at Carnegie Hall on Wednesday night, calls the piece an “overlooked masterpiece.”
The Underworld as corporate boardroom, Pluto a “suit,” the damned a bunch of clerks tapping away at laptops.
They’ve been celebrating the centennial of Gian-Carlo Menotti lately, spouting wild claims for the immortality of his music. He did have an impressive run of successes in the 1940s, but he lived till 2007 with many more premieres and nary another hit.
Although billed as “I Love Lucy the opera”, New York City Opera’s production of Richard Strauss’s conversation-piece Intermezzo offers far more emotional depth than the much-loved 1950s sitcom. Yet ironically, in key moments it lacks the necessary heart which Lucy had in spades.
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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