Geschmack ist king
At the heart of Tobias Kratzer’s incisively rollicking production of Tannhäuser lies a metanarrative that maps Wagner’s early political and artistic challenges onto its hero’s philosophical struggles.
16 pieces since 2012 — at 6 companies, most often at Metropolitan Opera.
1 piece as Bayreuth Festival — stats above show all coverage for Nathalie Stutzmann.
View allAt the heart of Tobias Kratzer’s incisively rollicking production of Tannhäuser lies a metanarrative that maps Wagner’s early political and artistic challenges onto its hero’s philosophical struggles.
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