Die Frist ist Glum
This Holländer offers neither a clear narrative vision for the work nor a sense of turbocharged drama; it simply sits on the Met’s cavernous stage as a dull gray mass.
5 pieces since 2016 — at 3 companies, most often at Metropolitan Opera.
3 pieces as Metropolitan Opera — stats above show all coverage for Moritz Junge.
View allThis Holländer offers neither a clear narrative vision for the work nor a sense of turbocharged drama; it simply sits on the Met’s cavernous stage as a dull gray mass.
Bellini’s Norma Monday evening didn’t at all improve on the production it was replacing.
During its first-ever Roberto Devereux Thursday evening one felt transported back to the Volpe years: four of the Met’s biggest stars shining in an opulent (if occasionally perverse) but reassuringly non-challenging production paid for by Sybil B. Harrington.
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