8 pieces since 2012 — in 4 roles, at 4 companies, most often at Rundfunk-Sinfonieorchester Berlin.
1 piece as Clytemnestra — stats above show all coverage for Michelle Breedt.
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When Richard Wagner reached into the past and revised Gluck’s Iphigénie en Aulide, he went beyond the accepted boundaries of tinkering and more or less created a new work that’s fomented aesthetic debates ever since.
The days are getting shorter, but you can keep the prattle going this fall’s Talk of the Town! You will, you can, you must join in the discussion about: Great mezzo soprano performances (October),
Gained in translation (November), Teleport me back to… (December).
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