No such Gluck
When Richard Wagner reached into the past and revised Gluck’s Iphigénie en Aulide, he went beyond the accepted boundaries of tinkering and more or less created a new work that’s fomented aesthetic debates ever since.
8 pieces since 2012 — in 4 roles, at 4 companies, most often at Rundfunk-Sinfonieorchester Berlin.
1 piece as Clytemnestra — stats above show all coverage for Michelle Breedt.
View allWhen Richard Wagner reached into the past and revised Gluck’s Iphigénie en Aulide, he went beyond the accepted boundaries of tinkering and more or less created a new work that’s fomented aesthetic debates ever since.
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