Christopher Corwin and Andrew Lokay provide dual perspectives on the National Symphony Orchestra‘s performances of Puccini’s triple-bill.
Despite some fine performances, Così fan tutte at the Livermore Valley Opera doesn’t quite click into place.
A Strauss rarity receives a ravishing concert performance at Seattle Opera.
Music for New Bodies at Lincoln Center’s Running AMOC* Festival proves Matthew Aucoin really is everything he’s made out to be
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