The servant of two last names The servant of two last names

“In over nine years you’ve never posted an opera by Ermanno Wolf-Ferrari,” no one has ever said.

Spit or swallow Spit or swallow

Next week Puccini’s La Rondine returns to the Met for the first time in eleven years, so Chris’s Cache offers three quite diverse sopranos as Magda: Ljuba Welitsch, Virginia Zeani, and Cristina Gallardo-Domâs.

“Almost unbelievable crudity” “Almost unbelievable crudity”

On this day in 1924, the Metropolitan Opera presented La bohème, a performance visiting critic Ernest Newman didn’t seem to like one bit.

Love, your magic spell is everywhere! Love, your magic spell is everywhere!

Teatro Grattacielo presented two visions of love’s magic on November 13 and 14—one via Spain and Argentina (in collaboration with Opera Hispánica) and the other via Alsace by way of Italy.

The last time I saw Paris The last time I saw Paris

Trove Thursday goes mini-epic with Gustave Charpentier’s naturalistic slice-of-life of fin-de-siêcle Paris in a rare 1999 Renée Fleming performance of Louise co-starring Jerry Hadley, Samuel Ramey and Felicity Palmer.

My heart belongs to mama My heart belongs to mama

VIctor Herbert demonstrates in this slight, affectionate piece a talent for keeping his musico-dramatic balls in the air, as Madeleine’s spirits juggle, fall, rise again, and droop to elegant resignation at the last.

Sadko, but true Sadko, but true

“Trove Thursday” escapes to an exotic place with Rimsky-Korsakov’s Sadko.

Come what May Come what May

At “Trove Thursday” it’s May Night, Nikolai Rimsky-Korsakov’s 1880 comic opera, in a recent broadcast from Moscow led by pianist-conductor Mikhail Pletnev.

When the sun comes out When the sun comes out

This year as part of Bard’s “Puccini and His World” festival audiences may witness the resurrection of Mascagni’s distinctly odd Iris.

Il core vi dono Il core vi dono

With February 14th falling on a Sunday, there will be no Valentine’s Day Met performance this year.

Let me like a soldier fall Let me like a soldier fall

Between them, Maria Guleghina, Marcello Giordani, James Morris and John Del Carlo have nearly 150 combined years of service on stage.

Shipshape Shipshape

Italo Montemezzi’s La Nave, premiered in 1918 and not performed anywhere since 1938, concerns itself with nautical power, male and female archetypes, love and hate conjoined, sex and death, the eastern and western halves of the Roman Empire — and the visionary future of Old Venice.