John Danaher on the world-premiere recording of Clémence de Grandval‘s wild and worthy Mazeppa, the latest release from the operatic archaeologists at Palazzetto Bru Zane.
“Take a good deal of trouble with it, because it is a fine subject, delicate and full of pathos.”
There has never been a successful vampire musical—so they say. But that’s just not true.
Robert Schumann said he devoted more love and energy to Manfred than any of his other compositions. It took him only about a month in 1848 to adapt a translation of Byron’s semi-autobiographical poem about a guilt-ridden noble into a program consisting of an overture and 15 pieces for chorus, orchestra and spoken voice. Schumann was…
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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