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I can’t think of another 20th century opera which has grown so fast in popularity so long after its composition than Lady Macbeth of Mtsensk.
9 pieces since 2014 — in 8 roles, at 5 companies, most often at Wiener Staatsoper.
I can’t think of another 20th century opera which has grown so fast in popularity so long after its composition than Lady Macbeth of Mtsensk.
Chris’s Cache follows up its Gounod R&J installment with a widely varied quintet of additional Romeos and Juliets
I am happy to finally add Les contes d’Hoffmann to the playlist in a Salzburg performance from 2003 with Neil Shicoff in one of his parade roles.
Anja Silja staked a claim as a leading Senta of her era with a series of searing performances of Der Fliegende Holländer while in her early twenties.
Soprano Renée Fleming is certainly making the role of the Countess in Richard Strauss’s final opera Capriccio the focus of her late-career years.
Some ideas are so absurd that the only way to describe them is to simply use the liner notes.
The great Spanish mezzo soprano Teresa Berganza died on May 13 at the age of 89, so Trove Thursday salutes one of its favorites with a pair of dazzling rare live Mozart performances.
Be wary of operas that are famous for just one aria or just one famous opinion.
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