For art’s sake
Few operas scream “summertime easy listening” like Pfitzner’s Palestrina—all 225 minutes of it—so Trove Thursday presents a performance from the Royal Opera’s 1997 New York visit conducted by Christian Thielemann.
5 pieces since 2015 — in 4 roles, at 2 companies, most often at Royal Opera House.
Few operas scream “summertime easy listening” like Pfitzner’s Palestrina—all 225 minutes of it—so Trove Thursday presents a performance from the Royal Opera’s 1997 New York visit conducted by Christian Thielemann.
Enthusiasm is contagious–you have to cover up carefully lest it make you sick.
Skirting the leafy, patrician Berkshires of Western Mass, and flush with wine coolers and white people, pastoral Tanglewood doesn’t much resemble the dark Nibelung settings of Norse myth.
Das Rheingold is the outlier among the Ring operas, an ensemble work with a fast-shifting plot, animated dialogue, fewer set pieces and less character development.
This week we get closer to completing the operas of Benjamin Britten with The Rape of Lucretia.
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