In the River Rhine. In it.
It is always a pleasure to hear a great orchestra take on a major score that might sound half-muffled emerging from the pit of an opera house.
Kelley O'Connor
5 pieces since 2011 — in 4 roles, at 2 companies, most often at Chicago Lyric Opera.
5
pieces
4
roles
2
companies
16
years
By role
By company
Role Erda
Role Lapák the dog
Dan Sharp-Ears
I had every reason to think I’d love the New York Phil’s production of The Cunning Little Vixen as much as I did their staging of Le Grand Macabre with the same creative team.
Role Mercedes
Carmen denominator
When you attend a performance of Georges Bizet’s Carmen you can never be quite certain which one you’re in for.
Role Smeton
Let’s make it regal
Having heard a bit of the opening night broadcast and read some decidedly mixed reviews, I was totally unprepared for the remarkable performance of Donizetti’s Anna Bolena that I attended on December 15 at Chicago Lyric Opera.