Final opera of the season. Little-known opera. A revival. So, you can probably skip it, right?
Nathan Hull was an operatic Quixote who did not go it alone, but inspired bands of optimists, giving proper employment to the many worthy New Yorkers mad enough to study voice and pleasure rare elsewhere to those of us thrilled to take it in.
“Trove Thursday” presents Purcell’s remarkably concise Dido and Aeneas in a pair of fascinatingly different interpretations.
French early music group Ensemble Correspondances offered two of the year’s very best concerts.
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