This a sincere revival with a social conscience, a chance to take immersive part in the Christmas miracle, not just watch it remotely.
How Verdi’s opera might address this particular nightmare was unclear.
In the program for Opera Omnia’s production of Monteverdi’s Il ritorno di Ulisse, Crystal Manich, the company’s stage director, speaks of producing “baroque works in non-traditional ways.”
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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