Hear, O Israel
As Messiah season begins, Christopher Corwin reports on two of Handel’s forays into the Old Testament.
7 pieces since 2012 — at 1 company, most often at Handel and Haydn Society.
As Messiah season begins, Christopher Corwin reports on two of Handel’s forays into the Old Testament.
For my early self-birthday gift “Trove Thursday” offers a Handel-orgy of rarely done works.
Fans of divas who sing 19th and 20th century opera may find themselves searching in vain for CDs to buy with this season’s gift cards, since their idols so rarely put out solo recitals these days.
I can think of no other case that resembles Handel’s complex relationship to the story—derived from Ovid’s Metamorphoses—of the ill-fated love between the shepherd Acis and the sea nymph Galatea.
That’s what it must have been like in 1726 London when Handel composed Alessandro for perhaps the three most famous (and expensive) singers of the day.
Cecilia Bartoli and Joyce DiDonato are not the only ladies who have recorded recitals this year featuring music from the 17th and 18th centuries.
By the end of its 2012-13 season, the Met will have presented four HD transmissions in less than two years featuring countertenors in prominent roles.
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