We’ll always have Paris (or maybe not)
The revival of Don Carlo(s) which opened on November 3 restored the translated Italian text and the cut 1882 four-act revision not seen at the Met since Rudolf Bing’s last season in 1972.
John Relyea
24 pieces since 2005 — in 19 roles, at 7 companies, most often at Metropolitan Opera.
24
pieces
19
roles
7
companies
22
years
By role
2 pieces as Grand Inquisitor — stats above show all coverage for John Relyea.
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Back to black
When was the last time the Metropolitan Opera mounted a new production that was musically outstanding yet the direction and/or design mostly sucked?