That which we call a Rosa
Rosa Feola, hailed last year for her Gilda at the Met, brought a level of vocal refinement and elegance to Juliet that substantially elevated the night’s proceedings.
10 pieces since 2015 — in 9 roles, at 5 companies, most often at Lyric Opera of Chicago.
1 piece as Washington National Opera — stats above show all coverage for Jill Grove.
View allRosa Feola, hailed last year for her Gilda at the Met, brought a level of vocal refinement and elegance to Juliet that substantially elevated the night’s proceedings.
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