The Quantification of the Diva: Upon Reflection

“Mirror, mirror on the wall, who are the greatest divas (Classic and Contemporary) of them all?” And the mirror replied, “I’ll tell you right after the jump!”

The Quantification of the Diva: Part the Fourth

As we launch into the fourth and final movement of our étude, La Cieca asks the musical question, “Can a Contemporary Diva achieve Grandezza, or, for that matter, Drag Imitability?” Let’s see what the numbers tell us. 

The Quantification of the Diva: Part the Third

And now, cher public, let’s put today’s singers, the Contemporary Divas, under the microscope. How do they stack up?

The Quantification of the Diva: Part the First

We begin our Kang Method statistical analysis of That Which is Called Diva with a dozen Classic Divas:  Hildegard Behrens, Montserrat Caballé, Régine Crespin, Mirella Freni, Marilyn Horne, Christa Ludwig, Jessye Norman, Leontyne Price, Leonie Rysanek, Renata Scotto, Joan Sutherland and Tatiana Troyanos, henceforth called by first name or nickname as applicable. Our first report…